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I came of age in the mid-seventies, when owning a quadraphonic sound system was being marketed as the ne plus ultra of the HiFi audio experience. I'll never forget the first time I walked into a HiFi dealer who happened to have a quad system set up and running that actually worked; hearing the immersive... Read More »

I grew up about thirty minutes outside of Athens, Georgia, where I was a college student in the late 70s. And was very much in touch with Athens' burgeoning music scene, which included bands like the B-52's, Pylon, and Love Tractor. At the time of R.E.M.'s appearance on the scene, when "Radio Free Europe" was... Read More »

Craft Recordings is continuing their much anticipated Original Jazz Classics imprint reboot with the second batch of releases in the series, starting with the Bill Evans Trio's classic Waltz For Debby. This album unfortunately closed the books on Evans' first great trio; the legendary Village Vanguard live sessions that took place on June 25, 1961... Read More »

My original review for Barbra Streisand Live at the Bon Soir chronicled Impex Records' excellent SACD release and can be read HERE. As extraordinarily good as the SACD was (and is!), the long-awaited 2-LP, HQ-180 set has finally arrived, and it's definitely been worth the wait. The LP release was delayed by a meticulous approval... Read More »

At the point in 1978 when I bought my first real stereo setup, I was browsing about Stereo Village in Buckhead (a northern Atlanta suburb), when I noticed a display for a handful of classical LPs from a label I'd never heard of, Telarc. Telarc was based in Cleveland, Ohio, and the display featured their... Read More »

Mobile Fidelity set off quite a fire storm a year ago when it suddenly became public knowledge that they'd been using a DSD step in many of their LP reissues—which were touted by the label as being all-analog throughout the remastering chain. MFSL LPs were prized by audiophiles, collectors, and music lovers alike, and were... Read More »

Shore Fire Media has just announced the first two titles from a new LP reissue program, the Rhino High Fidelity Premium Vinyl Series. Rhino High Fidelity's planned release schedule will be quarterly throughout the year; the inaugural release features two outstanding titles, the eponymous debut album from The Cars, The Cars (1978, Elektra Records), and... Read More »

Craft Latino is a specialty imprint that focuses on reissues of classic salsa, Latin jazz, Latin soul, and Afro-Cuban releases from Craft Recordings' deep catalog of Latino artists, many of which haven't been reissued as LPs for decades. Their newest reissues highlight classic records from a pair of legendary Latino percussionists, conguero Ray Barretto's Que... Read More »

Back in February, I received a series of unsettling emails from Dalibor Kasac, my contact at Euphony Audio in Croatia, telling me about a discovery they'd made concerning how ESS Pro delta-sigma DAC chips process native DSD. And that Euphony had gotten a couple of the new Topping E70 Velvet DACs that incorporated the newest... Read More »

Berkeley based Fantasy Records built their early reputation in the 1950s with classic LPs from Dave Brubeck, Cal Tjader, Gerry Mulligan, and Vince Guaraldi. Many of those LPs were pressed on red and blue translucent vinyl, and they became immensely popular with record buyers. I'll never forget finding a sealed copy of Vince Guaraldi's Jazz... Read More »

Living Sound Audio (LSA) is the in-house brand of Underwood HiFi, a company that's nearly legendary in audiophile circles. Walter Liederman, Underwood HiFi's "big kahuna"—hey, the dude lives in Maui, for heaven's sake—was a perpetual fixture on the Atlanta audio scene for decades. Walter was a partner in Atlanta-based HiFi Buys for 23 years prior... Read More »

  Naiu Laboratory is a German-based manufacturer that's been in existence since the late 1990s. It's the brainchild of Mircea Naiu, who also designed the proprietary circuit employed by their only current model, the Ella Mark 3 stereo amplifier. Naiu refers to this technology as Class ND, which is an acronym for "Naiu Digital." Naiu's... Read More »

Craft Recordings is bringing an impressive slate of limited-edition LPs to stores for 2023's first celebration of Record Store Day (RSD), which takes place on Saturday, April 22. Craft's noteworthy offering of rarities and specialty releases are just a smattering among the hundreds of records from a multitude of record labels. Craft's seven releases include... Read More »

Jazz Dispensary is Craft Recordings' house label that mines from the riches of Concord Music's jazz, funk, soul, and fusion recordings from their Prestige, Fantasy, and Milestone imprints from the mid-60s through the mid-70s. While many of their releases are compilation mix-ups of classic grooves from the period, Jazz Dispensary's Top Shelf series highlights rarities... Read More »

How do you spell diva? Barbra Streisand has been a brash, larger-than-life, irrepressible talent throughout her career, whether on Broadway, the big screen, or in the recording studio. Her amazing voice, her physical presence on stage and in front of the camera, and her prowess behind the microphone has helped win her an astonishing array... Read More »

I was a longtime subscriber to the now defunct Audio magazine; around the midpoint of 1981, while thumbing through the record review pages, I came across two albums that caught my eye. The first chronicled Glenn Gould's autumnal re-interpretation of The Goldberg Variations; the second documented the posthumous release of Bill Evans' You Must Believe... Read More »

Craft Recordings is beginning a new push with remasters and reissues of titles from the Original Jazz Classics (OJC) series from Concord Music's vast catalog of classic jazz from the Fifties, Sixties, and beyond. Many titles from the record labels that fall under the OJC umbrella rank among the finest ever recorded or released, and... Read More »

Over the course of my lifetime, I have grown to really love jazz. I distinctly remember the first time I heard a jazz trio playing at a party in my mid-twenties, and it affected me in a way no other exposure to music ever had. The delicately textured pluck or slap of the acoustic bass,... Read More »

During my show experience at FLAX, I basically live-posted capsules on Facebook from notable rooms I visited each day, saving my full coverage for after the weekend was over. Little did I know when I posted from the Focal Naim America room that I was opening a tempest in a teapot! At the point I... Read More »