The history behind the band Mercy, from Tampa, Florida, is one of the more complicated rock and roll stories that I've tried to understand. On its surface, Mercy's story is a simple tale of a one-off single that nearly topped the charts, the release of the band's only album, and the band's eventual breakup. Mercy... Read More »
When I wrote about The Blue Things I expressed my general distaste for cult bands and cult singers. And the reason is because mediocre cult bands cast huge shadows over great bands and singers who deserve our attention, like the above-mentioned The Blue Things. However, there are cult musicians who deserve their cult status. Emitt... Read More »
If you're an audiophile who's under the age of eighty, you probably haven't paid much attention to Frankie Laine (1913-2007). There was a time when the dynamic Mr. Laine, who was born Francesco Paulo LoVecchio, was as popular as Frank Sinatra. In his day he was affectionately called Mr. Rhythm, and for good reason. Great... Read More »
There are few if any male rock voices that I find more interesting and pleasing than the one possessed by Alex Chilton (1950-2010) during the sixties. The gritty, soulful, and expressive voice that Chilton used during his tenure with The Box Tops never, to my knowledge, reemerged on recordings after 1970. Rock historians are quick... Read More »
Everybody says it and I'm confirming it. Moving sucks! And as an audiophile with two turntables, two speakers that weigh 130 pounds each, an eighty pound tube amp, and a huge LP collection (and a pretty damn large CD collection as well), moving doesn't double suck, it triple sucks! Having said all of this, it's... Read More »
I've spent decades searching my butt off for interesting and well-recorded albums, all while some albums, including some really good ones, were just sitting in my path. Just Turn Me Loose (Epic BN 26037) by actor-singer George Maharis (1928-2023) is a prime example of an album that was just sitting and waiting for me to... Read More »
As one of the founding fathers of rock and roll, Chuck Berry (1926-2017) receives a ton of well-deserved respect as a musical innovator. Berry, along with Buddy Holly, was the first to define the image of the electric guitar-slinging rock star. However, despite his well-deserved status, the 1972 album, The London Chuck Berry Sessions (Chess... Read More »
For most audiophiles the word "calypso" conjures up one musical artist, and that person is Harry Belafonte. Belafonte was a 50's era phenomenon whose popularity bled into the 60s. His brand of beefed-up and polished calypso was essentially the closest thing to rock and roll for people who couldn’t embrace something as "dangerous" as Elvis... Read More »
Just Listen (Columbia Special Products CSS 1337) is an LP that I discovered in 1986. It was released by Columbia Special Products in 1970, as a promotional item for Magnavox. Like most of the CBS Special Products LPs, it's a stereophonic various-artists compilation. The musical selections are by Percy Faith, Ray Conniff, Dave Brubeck, Andre... Read More »
I think it's pretty safe to say that most record-collecting audiophiles know Dave Brubeck (1920-2012), and his album, Time Out (Columbia CS8192). After all, it's one of the most popular jazz LPs ever recorded. Time Out was released in 1959, and it introduced the world to Brubeck's use of unusual time signatures. It also introduced... Read More »
Nobody talks about Vaughn Monroe (1911-1973) anymore. That's sad, because Monroe was a very good singer. It's pretty clear to me that it's his unusual voice that places him in obscurity. Nothing sounds like his baritone voice. By today's standards, and even by my own retro standards, he sounds a little usual. His voice is... Read More »
Who the heck was Bill Snyder? Based on the scarce info I could find, William P. Snyder (1916-2011), from Fond du Lac, Wisconsin, was America's most recorded light music pianist during the 1950s. Unfortunately for Bill's legacy, today's music lovers don't listen to the dim lit sound of light pianists, especially on mono LPs from... Read More »
My old friend and former roommate, Dave, suggested that I write about my Leni Okehu record. What a cool idea. The music is a boatload of fun, it's beautifully recorded, and Dave and I used to love the way it sounded on his ADS L880 speakers. The album's title is Hawaiian Holiday (International Award Series... Read More »
It's time for a confession: I enjoy the album Calcutta! (Dot DLP 25359) by Lawrence Welk (1903-1992). Honestly, there's an awful lot to like on this LP. It has incredible sound, incredible musicianship, and memorable tunes that'll make your body move. The stereo imagery is on a par with the best of Martin Denny's exotica... Read More »
Mexican-Canadian pianist, vibes player, and band leader Jimmy Namaro (1913-1998) isn't the best known name in music. The only reason I know him is because I have an eagle eye for unusual records. Born in La Rosita, Mexico, in 1913, he became a Canadian citizen in 1945. He moved to the US in 1970. Information... Read More »
As far back as can I remember, organ music has brought me pleasure. Whether it's the sound of a small pipe organ in a small church, an electronic organ, the huge pipe organ at UCLA's Royce Hall accompanying an orchestra, or a theater organ with huge pipes, bells, and percussion, I love the way organ... Read More »
This isn't the first time that I've expressed my love for sampler LPs, and it probably won't be the last. Some of them sound awful, but the ones that sound great are a pleasure to own. One of the main reasons I love samplers is because they provide me the opportunity to hear songs and... Read More »
There are many reasons to collect records, and the best and most common reason is for the music. However, if you also care about sound, and you own a high end audio system, the sound can be, as it is to me, just as important. You can also collect LPs like people collect stamps and... Read More »
As a child of the 60s, I heard some of the greatest rock and roll ever created, and the place I heard much of it was in the back seat of my mom's car. As I lived in Los Angeles, the number of AM radio stations that played rock and roll was vast, and therefore... Read More »